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Bree Stallings Artwork

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Public Art & Mural Work

"For The Fans, For The Culture" -

Commissioned by Charlotte FC, Pro Soccer Team

Charlotte, 2022

"A New Breath" -

Commissioned by Novant Health's Asian Resource Business Group

Novant Hospital - Charlotte, 2022

"Sun-bleached Wheat", 35' textured wall, spray paint and Japanese paper

& "168 Sunflowers for Vincent",

Commissioned by Blumenthal Performing Arts Center, Immersive Van Gogh

Charlotte, NC

"Looking Towards Hope" -

Sponsored by Talking Walls Mural Festival

Metropolitan Charlotte, 2021

"We Are Hip Hop" - Coordinated artists and painted "L".

Sponsored by Blumenthal Performing Arts Center

Camp North End, 2020

"This Is Gaston", 45' wall

Commissioned by Motley Studios, Greensboro

Gastonia, NC

flourishunitedway
Mint Museum: 13 Socially Conscious Artists To Follow Now

"Flourish", 3 of 3 murals. Pictured: 12 feet by 65 feet wide, 20 feet by 42 feet long, and 20 by 22 feet tall. Gaston County United Way, Winter 2019-2020.

"War Paint Is Gender Neutral" -

Sponsored by Ladies To The Front, Living Walls Atlanta. Designed in conjunction with Time Out Youth, a local LGBTQIA+ youth organization around the curriculum question "What Does It Mean To Be A Woman In Charlotte?"

Camp North End, 2019.

New Face of Queen Charlotte, 10' diameter column, commissioned by the Blumenthal Performing Arts Center

South End Verses, installation on side of C3 Lab, commissioned by South End Arts

Skyline Superette - done in conjunction with 50 students of Behailu Academy. Mural commissioned by the Mecklenburg County Health Department, 2017.

Supernova, ArtPop billboard, as awarded in part by the Arts + Science Council, 2015.

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breestallingsart

Does this count, @squashblossomsocial? Making a re Does this count, @squashblossomsocial? Making a reel and being in hurry-capture-while-cute mode is the antithesis of my creative flow, but hey, I’m grateful to show to my work to so many followers. I had the realization the other day that I have as many followers to fill up our largest venue, the Belk Theater, twice. That’s wild to think about that I have two theaters full of people interested in what I do. Thanks for being along for the ride, y’all. 🥹
"I Can Make It Right" is a piece about using the p "I Can Make It Right" is a piece about using the power of paint to create things that don't exist. I long for experiences I can never have, where I can hang out and form memories with my mom and my grandmother at my age now. Above me is my mom at her current age, who is happily also benefitting from this magic moment. I so desperately wish I could know them as women, not through my child eyes, and exchange joy and advice. It would heal and nourish us then and now, as depicted by the two (R)obins (my mom's name and the two birds, one feeding and one crying for food). In this crafted memory, we are sharing a laugh after my grandmother puts something (a funny, sparkly hat) on her head. We can have these tender moments despite their hard lives. By painting it, I can make it right.

30" by 55"
Acrylic, textile, fake worm on hand cut wood.
2022.
Congratulations to our Artist in Theaters for A So Congratulations to our Artist in Theaters for A Soldier’s Play @dammit_wesley. He is a textural genius! More about his work: 

ʀᴀᴄᴇ ᴀɴᴅ ᴄᴜʟᴛᴜʀᴇ ᴀꜱ ᴀʀᴛɪꜱᴛɪᴄ ᴍᴇᴅɪᴜᴍꜱ:
🅳🅰🅼🅼🅸🆃 🆆🅴🆂🅻🅴🆈 is a dynamic multi-disciplinary artist who uses his work and platform to provide context and commentary on the Black experience through the lens of pop culture. 

He has played a very active role in the southeastern arts community for the past decade as the Founder and Director of BLK MRKT CLT, where he works to develop monthly minority-based art exhibitions and showcases, instructing hip hop-themed figure painting classes, and working as a teaching artist for
 local institutions. 

Dammit Wesley holds a Bachelor’s degree in Fine Arts & Graphic Design from Winthrop University.
“Flight or Flight Mode” is about the fear I’ “Flight or Flight Mode” is about the fear I’ve been stuck in for the last chapter of my life. Animals lash out in fear, and seem flighty or violent but are really just wounded (broken wing/bloody tooth). It’s about how coping mechanisms can become character flaws. It’s about missing home but not being sure where home is. 

54” by 60”
Mixed media: Japanese paper, acrylic paint, thread, found objects.
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